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“Taos”
“
Nowlin’s
art avoids clichés
as assiduously as he would stepping into cactus.” T.
Hurst, Washington Post.
“ This is my self portrait, though
I prefer motorcycles. Maybe this is more about my native
New Mexico, balanced between past and future.” B. C.
Nowlin.
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“Red
Colt”, “Blessing”,
“New Sky”, “Stay”,
“To
Themselves”, “Into
There”
“A surreal combination of reflection, light, and movement.” J. Goldberg, ‘Focus’,
Santa Fe, NM.
“It’s
all happening here, everyone moving toward the light. Who are those riders? Jay
Leno once said if you turn my paintings
around, 'You
can see all their faces on the back'. Wish I could.” B.C.
Nowlin. |
 
 
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Nowlin
Image Development
 

 

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“New
Day”,“The Gathering”,
“This Eve”, “Must Be”,
“Present”, “Search”,
“When
They Do”
“A mythical realist of the highest order”, ‘Southwest
Art’
“I paint where I want to be, and I love this place.” B.C.
Nowlin.
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“La
Luz”, “Ceremony”, “Returns”, “Kiva”,
“Entrada”, “Nightways”,
“Contact”
Ancient places as Egyptian as Southwestern; Lofty,
Serene, and Immaculate.” ‘BIE
WIE BASIL Magazine’, Vern, Switzerland.
“ These places are home to the spirit. For
all their mystery, they seem like home to me.”
B.C.
Nowlin. |
 
 

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Nowlin
Image Development
Nowlin
Image Development
 
 
 
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“Begin”,“Prelude”,
“In Red”, “Three”,
“Red Talkers”, “Spirit Man”
“Images of integrity, talent, and vision.” J. Simon, ‘Associated
Press.’
“These people gather for ceremony of something
holy, something wonderful. We all came from a tribal heritage. Maybe this is
memory” B.C.
Nowlin. |
“October”, “Origin”,
“Within”
“These riders are going into the future”, Sophia Loren.
“It’s all about the journey. Not ahead,
not behind, but right here.” B.C.
Nowlin. |
 
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“Creation”, “Found”
“Miles
Away”, “The
Route”
“There is a magical, spiritual aspect to Nowlin’s
best work”
R. Hay, ‘Prime Times’
“It’s not the field or the flowers….It’s
the wind, light, and atmosphere.” B.C.
Nowlin. |
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“Blue
Moon”,
“Drifter”,
“Motel
in Blue”
“It’s all about the
journey. Not ahead, not behind, but right here.” B.C.
Nowlin.
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